My second and third naps were both taken during Jean-Luc Godard's Masculin Féminin, a 1966 film features as a Cannes Classic. Obviously this was a wonderful and important film but it was also very long and very French.
After seeing this film I went to the American Pavilion to pick up my badge and found myself standing frighteningly close to Woody Allen. I felt entirely unprepared for such proximity but he was so small that it kind of set me at ease.
From the American Pavilion I went to approximately 15 minutes of an embarrassingly bad vampire film called Manhattan Undying. I don't remember the director and it honestly is not worth it for me to look into it. It was like a pilot for a late-to-the-party sexy vampire show on the CW or something that just wouldn't end.
The only movie I regret falling asleep in was Nijyuu Seikatsu's A Double Life, a poor translation for a movie about a philosophy graduate student in Japan who becomes obsessed with trailing her neighbor while writing her thesis about his life. It was beautiful, enthralling, and, unfortunately, about 45 minutes too long. I missed a small chunk of exposition in the middle because I dozed off but it was drawn out so much that I was able to piece everything back together in the end. It was a great film but it wasn't finished, many scenes needed to be cut. I was pleased with this film being my first new foreign language film of the festival. I still find the subtitles distracting, they take me out of the story and obstruct some of the cinematography, but it didn't turn me off from seeing future foreign language films.
This feels obvious now but a real night's sleep is required to actually devote yourself to a full day of watching films critically, or at all.
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